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| Yongwoo Lee is a writer and curator
based in New York and Seoul. He is founding artistic director
of the first Gwangju Biennale 1995 and now again serves as General
Artistic Director for its 10 years anniversary. His activities
in international arena includes 20 international exhibitions
such as Tigers Tail in 95 Venice Biennale, Nam June Paik Retrospective
at the National Museum of Contemporary Art in Korea. He is author
of The Origin of Video Art, Information and Reality
and Nam June Paik. He did his doctorate in art history
and visual culture from Oxford University and taught at the
Korea University and the New York University. |
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| Kerry Brougher is currently Director of Art and
Program/Chief Curator of the Hirshhorn Museum of Sculpture Garden,
Smithsonian Institution in Washington D.C. He previously served
as a curator of the LA Museum of Contemporary Art and director
of The Museum of Modern Art, Oxford, England. He did many seminal
exhibitions including 'Open City: Street Photographs Since 1950',
'Minimal Art and Its Legacy', 'Enclosed & Enchanted: The
Garden and Contemporary Art'. |
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| Suk-won Chang is a professor of art history and
criticism at the Chonnam University in Gwangju. He served as
a curator and chief curator in the first and the third Gwangju
Biennale. He organized many contemporary art exhibitions including
"Exposure, Reverse/ Discourse of Asia". He also was
Commissioner of Busan International performance in Busan Biennale.
Sukwon Chang earned his master degree at the Hongik University
in Seoul, Korea. |
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| Milena Kalinovska is former director of the Institute
of Contemporary Art in Boston. She previously served as associate
curator at the New Museum of Contemporary Art in New York, exhibitions
director at Riverside Studios in London and exhibition researcher
ar the Museum of Modern Art in Oxford, England. She has curated
over forty individual and group exhibitions including "Beyond
Preconceptions: The Sixties Experiment", "New Histories",
"Boston School", and "Rhetorical Image".
She is a member of advisory council for Art:21- Art in the Twenty
First century PBS series. Milena Kalinovska has M.A. from the
University of British Columbia, Vancouver, Canada, B,A. from
the University of Essex, England and attended Charles University
in Prague, Czech Republic. |
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| He was an Academic Consultant and Coordinator
of Platform 4, Documenta11, Kassel(2002). In 2001, he co-organized
The Short Century: Independence and LiberationMovements in Africa,
1945-1994 (Museum Villa Stuck, Munich) In 1995, he curatedthe
Nigerian section of the First Johannesburg Biennale and co-organized
Seven Stories about Modern Art in Africa (White Chapel Art Gallery,
London). He is a Senior Editor of Nka: Journal of Contemporary
African Art. He has an MFA (Painting) from the University of
Nigeria (1994) and Ph.D. in Art History from Emory University
(2004). He is presently an Assistant Professor in Art History
at Pennsylvania State University. |
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| Roberto Pinto is a professor of contemporary
art at Trento’s University and curator of the Ratti’s Foundation.
He was chief editor for Flash Art, as well as curating several
exhibitions including Arte all’Arte (different sites in Tuscany)
Transform (Trieste, Italy, G8 Environmental summit), Americas
Remixed (Milan); Salon des Refusé, Fondazione Bevilacqua La
Masa, (Venice). Among many publications are eight series of
lectures La Generazione delle immagini, Hardcore for Palais
de Tokyo, Paris 2003 and the most recent book Lucy Orta for
Phaidon Press, London 2003. He studied in the University or
Rome. |
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| Rhee Won-il is currently a chief Curator of Seoul
Museum of Art. He Previously served as a managing director of
Exhibition Team for 3rd Gwangju Biennale, 2000, Artistic Director
of 2nd Media-City Seoul Biennale, 2002. He also activated as
a Chief Curator of Total Museum, 1995-1996, Senior Curator of
Sungkok Art Museum, 1996-2002. He obtained Bachelor of Fine
Art from choong-Ang University, 1983 and Master of Fine Art,
History of twenty Century Art from New York University. |
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| Tanja Weingärtner worked at the NY Center for
Media Arts as assistant director and curator, where she organized
various exhibitions and performances. Since 2002 she has been
working as an independent curator, organizing exhibitions mainly
in the US and Europe. She holds a M.A. in Art History and Philosophy
from University of Hamburg and a Ph.D. in Art History from University
of Cambridge. |
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| Sunghoon Lee is currently a professor of Division
of Architecture & Interior Architecture, Kyungwon University
and the director of the Korean Institute of Museum Architecture
& the Korean Institute of Interior Design. His research
and publications have been concentrated on Museum Architecture
and Architectural Human Behavior. Before he worked for Samoo
Architecture & Engineers and Skidmore, Owings & Merrill
of Chicago. He studied Design both at University of Illinois
at Urbana-Champaign and University of Wisconsin-Milwaukee. |
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| Suk-won Chang is a professor of art history and
criticism at the Chonnam University in Gwangju. He served as
a curator and chief curator in the first and the third Gwangju
Biennale. He organized many contemporary art exhibitions including
"Exposure, Reverse/ Discourse of Asia". He also was
Commissioner of Busan International performance in Busan Biennale.
Sukwon Chang earned his master degree at the Hongik University
in Seoul, Korea. |
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| Chankuk Park is the director of Public Art M
and the executive committee of the Council of Artists and Public
Art. He has been a lecturer at Hansung University, the University
of Seoul, and Dongshin University. He has directed public art
projects such as the Love Line Project, the visual arts workshop
"Sweet Potato Project," "The Hot Left Hand,"
and "Art Camp 2003." He is the art curator of the
Korea Democracy Foundation and the director of Milmori Art School.
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| Heeseung Jung is the president of the Artists
Collective Gwangju Chonnam and is active in the creative group
May. She was the artistic director of the Gwangju section of
the Korean People's Artists Federation. She has had three solo
exhibitions and participated in the group shows "May Exhibition,"
"Asian People in the Twentieth Century," "A People's
Art Exchange," "Jalla," and "Art Festival
for the Reunification of Gwangju." She is on the executive
committee of the exhibition "Artist Federation Solidarity." |
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| Dongjo Chang, Seoul based curator and art consultant,
has curated shows in New York, Seoul, and Pusan. Serving as
a CEO of art consulting company Eunji Corp. and Gallery INKHAN
in New York, he curated shows featuring contemporary art works
of western artists such as George Segal, Soto and Arman. He
was also a curator of “Digital Travels”, “Happy Flying Pig Metro”,
and “Science Korea”. Now he serves as chairman on the Executive
Board of Korea Cultural Contents Association and CEO of StarTowerGallery
and INFOARTKOREA. Corp. (Master in Arts, New York University) |
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