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Theme |
. ìÑ+Êà |
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Period |
. Mar. 29 - Jun. 7, 2000 |
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Venue |
. Biennale Exhibition Hall |
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Host |
. Gwangju Biennale Foundation, Gwangju City |
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Artists |
. 84 Persons |
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Contents |
. Main Exhibition, Special Exhibition, Satellite Exhibition,
Satellite and Sponsored Exhibitions -:: Festivities:
. Pre opening, Opening & Closing Ceremony, Gala Festivities,
Foreign Folk Performance, World Art Wear Show |
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| There were three major exhibitions
in Gwangju Biennale 2000 : the main exhibition, a special exhibition,
and a satellite exhibition. The theme of the main exhibition was "Man
and Space." The exhibition space was divided into 5 rooms in
order to display effectively the leading artists' works of different
continents. The subdivided rooms were Asia, North America, Korea and
Oceania, Europe and Africa, and Central and South America. In addition,
a special section was prepared in each room. Including the special
exhibit and satellite exhibit, there were a total of 12 exhibitions
in the Gwangju Biennale 2000. Visitors found the way we display the
works very harmonious, even though the works in 5 different rooms
had clear regional distinctions. The works of Asian artists were exhibited
in Japan after the Biennale. |
| Europe¡¤Africa | Rene
Block |
| North America | Thomas
Finkelpearl |
| South America | Kim
Yu-yeon |
| Asia | Arata
Tani |
| Korea¡¤Oceania | Kim
Hong-hee |
| Special section | Oh
Kwang-su |
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The special exhibit focuses on 4 minor
themes. These include: 1. Human rights and its associations with Gwangju's
political history, 2. Divided Korea, 3. Interests at the turn of the
millenium, and 4. Together and community among Korean artists. The
exhibit aims at presenting unique and future- oriented images within
the context of current art trends in Korea and East Asia.
The satellite exhibit was the exhibition of works from many galleries
in Gwangju. The Gwangju Biennele usually selects certain groups or
institutes to display their works; but this year, it gives an opportunity
to any participant to promote local activity. |
| Forest of Human
Being & Forest of Painting |
| Curator
: Oh Se-kwon , Kim Sung-hee |
Contents
: : ¡°Forest of Human Beings & Forest of Painting¡± reviewed
the issues regarding
human beings and nature in order to bring back its natural harmony
and balance. Thus, this
exhibition dealt with existential issue between human beings
and nature or individual and
group in order to talk about moral values and preserving environment. |
| Venue
: Joongoe Park |
| Artists
: 2,000 Persons |
| Human Being &
Gender |
| Curator
: Seo Jeong-geol / Marie-Laure Bernadac |
Contents
: Human Beings & Gender focused on the image of human gender
which revealed
our primary notion and awareness of gender. This exhibition
studied how our human gender
had been treated and how they had changed in our social values.
Furthermore, it portrayed
the modern aspect of human gender by comparing past and present
consciousness. |
| Venue
: Education & PR Center |
| Artists
: 45 Persons |
| Art & Human
Rights |
| Curator
: Ichiro Hariu |
Contents
: Arts & Human Rights introduced the Korean mass arts, and
deal with racism,
war, pollution and suppression from Western societies. In addition
to those issues, from the
global standpoint, the matter of women, seniors, children and
homo-sexualism was
discussed in the show. Another key point of this show was the
focus on artistic freedom
by stressing freedom of expression in order to help audiences
to understand how art has
been manipulated by authority so that viewers can stop this
abuse of art in society. |
| Venue
: Biennale Exhibition Hall |
| Artists
: 35 Persons |
| The Past & Present
of Fine Arts in North Korea |
| Curator
: Yoo Jae-gil / Kim Chan-dong |
| Venue
: Gwangju City Art Museum |
| Artists
: 40 Persons |
| Aspect of Korean
& Japanese Contemporary Art |
| Curator
: Yoon Jin-sup |
Contents
: This exhibition compared Korean Monochromatic painting and
Japanese
Monoha, so as to seek out dependent beauty and particularity
and to see how they
influenced each other. The method of process and the esthetical
uniqueness of both
Korean and Japanese monochromatic paintings was compared with
American
Minimalism, Objective Art and Italian Arte Povera in the show. |
| Venue
: Gwangju City Art Museum |
| Artists
: 55 Persons |
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| Curator
: Lee Sup |
| Theme
: A Scar |
| Venue
: Joongoe Park, Web S |
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New media art could be a very good means
of expression because it was relatively easy
to express something through film. Also, new media art was the most
democratic medium
of communication. It was also true that new media art is being abused
and misused in our
society. Some voices criticize the ways new media art was used as
propaganda. As an
alternative, people were making new media art that defined the very
terms of new media
art making. But still, so many new media art was made for solely materialistic
reasons.
As a result, the conflict among social groups was becoming more severe.
The 3rd Gwangju
Biennale suggested an experimental way of self-expression using new
media art and the
ways of utilizing new media arts' apparatus for democratic communication.
The theme of
new media art, "A Scar," tried to portray the everyday life
of an individual, scar from
history, and the existing, but not shared scar of contemporary society. |
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